Live Alligator Wrestling Review Flashback

I was cleaning out some old email and came across this review of the last (and final) play that I was in at the Florida Players called Live Alligator Wrestling. This may already be posted on the website, but just in case, here's a snippet of the review...

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The plays, touted by LiveArts as "world premieres" (accurate but a bit pretentious), are David F. Smith's Wallace Stevens at Key West, Doug Cooney's Live Alligator Wrestling and Jeff Whipple's The Cutting Edge of Amenities. They're billed as "The Floridians 2005," part of LiveArts' occasional series of Florida-influenced work.

Only one of the pieces works.

Cooney is an immensely charming and insightful writer and performer whose works combine quirky, low-key comedy and subtle poignancy. Live Alligator Wrestling, based on the story of Owen and Pearl Godwin, the founders of Orlando's Gatorland, doesn't have the emotional depth of some of his best work, but it's still clever, amusing and quietly poignant.

Cooney gives us the Godwins (played wonderfully by Pete Bauer and Susan Alexander) from early adulthood into middle age. Owen Godwin surprises his young wife by turning their back yard into an alligator pit, the beginning of Gatorland. She is not amused. But Florida is crawling with gators and tourists, he argues, so it makes sense to bring the two together.

As a devoted wife, Pearl dutifully runs the attraction while her husband travels the country acquiring exotic animals. In the end, Owen seems to know more about alligators than his wife and reacts awkwardly to her plea for warmblooded companionship.

The story gets a big charge from three local theater talents whose work hasn't been seen much on professional stages of late. Alexander and Bauer show a real fondness for their characters, and director Roz Potenza displays a nice touch with the delicate material.

Gaslight (2007)

As part of my daughter's responsibilities for her performing arts high school, she must attend 30 hours of activities in support of the theater outside of school. So, the family and I scoured the local theater scene and found that the Eight O'Clock Theater was presenting the 1938 play called Gaslight.

The plot involves a trouble married couple in the upper-class England in the 1880's. The wife, Bella Manningham, seems to be struggling with her sanity... a possible genetic gift from her mother, who died insane years earlier. The husband, Jack Manningham, is both manipulative and, yet, patient with his wife's apparent paranoia. He is, however, rough on the lead servant, Elizabeth, and overly flirtatious with the younger, sexy servant, Nancy.

Bella is certain of her own eventual mental demise when, one evening, a former police detective, Rough, arrives to spin her a totally different story.

Gaslight was one of the first plays to elicit suspense very successfully and was the inspiration for plays and films such as Dial M for Murder, Wait Until Dark and Deathtrap.

The Eight O'Clock Theater's production of Gaslight was excellent. The demanding role of Bella was played flawlessly by the tremendously talented Melody Craven. Her character was so full, complete, and three-dimensional. There was not a false note during her impressive and memorable performance. As an added bonus, she was also my daughter's acting teacher at Ruth Eckerd Hall and was happy to see DC after the show.

Melody Craven, Stefanie Lehmann
and T.J. Gill

As my wife said, it was nice to see that those teaching our daughter to act can also act themselves. Also in the play was a fellow theater high-schooler Stefanie Lehmann, who was convincing as the saucy servant Nancy. Her statuesque presence on and off the stage leaves quite a mark. I look forward to seeing her in future productions.

Also exceptional in the play was T.J. Gill, as Rough, the funny and determined ex-police detective. He has the ability to be both dramatic and comedic within the same scene. His performance captured just the right note of drama and comedy, allowing the audience to exhale in laughter when the tension of the play had built up.

Also very strong in the cast was Colleen Marvel, as the head servant Elizabeth and Trey Ryan, as the ominous husband, Jack. A great amount of praise should go to both director Rand Smith, who managed the play to great affect and to set designer Tom Hansen, who's set was beautiful.

So, our first foray into the local theater scene this year was a great experience with wonderful performances.

Gaslight ends today, so, like all plays, both good and bad, performances evaporate as soon as the last curtain drops. I'm glad we got to see this production and I look forward to future Eight O'Clock Theater productions.