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That is certainly true in Hollywood.
Take Flightplan, starring Jodi Foster. Flightplan is a direct, updated copy of the Hitchcock classic The Lady Vanishes. In Flightplan, Foster plays the distressed airplan designer, Kyle, who wakes up on a long overseas flight to find that her child is missing. In The Lady Vanishes, made in 1938, Margaret Lockwood wakes up on a train to find her recent acquaintence, Miss Froy, suddenly missing.
Both women go through the riggers of trying to convince the other passengers that someone is missing in a place where no one can hide (plane/train). In both cases they are convinced there never was the missing person and in both cases the women, unable to believe the missing person was imaginery, enlists the help of a male to assist them. In both films, a window seat plays a pivotal point in the storyline and in both films the potential plots teeter on the brink of complete unbelievability.
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