Bill Gates Goes to College
The Microsoft bigwig teamed up with Napoleon Dynamite in this spoof video from PDC 2005. The camera's a little shaky, but you get the idea.
Enjoy
Surviving in Safety Harbor is the life and times of Pete Bauer, who juggles the role of husband, father and award-winning writer/director. His goals are lofty, his time is short and his family forgiving. All Blog Entries © Pete Bauer 2005-Present
The Microsoft bigwig teamed up with Napoleon Dynamite in this spoof video from PDC 2005. The camera's a little shaky, but you get the idea.
In this original low-budget Christian flick, two FBI agents are directed to figure out why so many Christians in the world suddenly disappeared. The agents, played by two of the films producers, Kevin Downes and David A.R. White, investigate the Rapture, each ending up on opposite sides of the faith scale. White gets arrested for harboring a Christian leader wanted by the new global enforcement agency and is thrown in prison.
Plus, both films affirm a personal belief of mine when it comes to low-budget films, in that it is more important to find the right actors than hire known actors. Films with actors such as Eric Roberts or Stephen Baldwin or Lorenzo Lamas are immediately assumed to be B-movies because of the celebrity baggage they bring with them. Relatively unknown, yet competent actors such as White and Downes are far more successful at relaying the story because they fit the role and can pull off the performances, but don't weigh down the film negatively with any audience-driven preconceived notions. Granted, it may be a little easier to get a movie sold overseas if Roberts or Baldwin are in them, but there's a price to pay in creditability if the actors are miscast, which often happens.
LaBeouf is one of those rare, inventive, talented and natural actors that is believable in just about anything he does. He plays a variety of emotions, from new teen romance to the loss of a family member to suspicion to humor to fear... all without a single false note. The newcomer Roemer is spot on as the beautiful and flirtatious Ashley, who's both strong and troubled. Her interplay with LaBeouf is great Hollywood teen love at its best.
A special nod goes to Morse who is able to be both charming and scary at the same time. Since we, like Kale, are unsure of Mr. Turner's guilt or innocence, in every scene Morse has to achieve both potential guilt and innocence by his mannerisms and inflections, not giving away one way or another if he is indeed a bad person. You are both intimidated and empathetic with the man who simple likes his privacy.
Directed by D.J. Caruso, Disturbia is a very successful teen suspense thriller with strong, layered characters, real life teen angst and the unfortunate outcomes one might face when we interject ourselves into other peoples lives. Check it out. It's a good, fun flick.
Brando was the king of The Method court. He lead the charge by creating such completely realistic performances... so much so that you don't know where he ends and his characters begin. Even in a film with such a strong cast that On the Waterfront has, a cast which includes Karl Malden, Eva Marie Saint, Lee J. Cobb and Rod Steiger, Brando's performance is by far the best
On the Waterfront, directed by method filmmaker Elia Kazan, revolves around Terry Malloy (Brando), a washed up boxer who's brother (Steiger) is second to the local mafia boss (Cobb) in charge of the dock workers union. Malloy, who is coddled and protected by Cobb starts down a dangerous path when he befriends the sister (Saint) of a man killed for squealing to the cops. He finds himself in even greater trouble when he starts listening to a local priest (Malden) who is trying to end the corruption on the docks.
It culminates with a mentally simple, but strong Malloy who tries to do the right thing and take on Cobb and his influence, at peril to his own life.
Thanks Dad, for sharing your adulthood with my childhood so that I may do the same with my kids.
When the crew sneaks onto the island to simply borrow a boat, everything goes very badly. Written by Carl Reiner, directed by Norman Jewison and containing many of the Mad, Mad cast, Russians is a fun and satisfying comedy that introduced Alan Arkin to American film fans.
At the very end of the Supremacy, the second film, Bourne gets a tip from a high level inside source about his true identity. What's really interesting and inventive about Ultimatum is that this film actually starts out six weeks prior to that and that moment where Bourne is informed by the high level source doesn't happen until two-thirds through Ultimatum. Very cool stuff. And, beyond that, the meaning of the message is completely different than you thought it was at the end of Supremacy.
Directed with frenetic hand-held style of Paul Greengrass, Ultimatum is a great piece of the Bourne puzzle, yet falls into a close second to Supremacy, which is catapulted to the top spot because it has one of the best car chases ever put on film.
I'll be honest, the writing of this short has been exceedingly challenging. The story went through numerous starts and stops, rewrites, re-imagining, re-creation, etc. But, the end result is very close to my original intent. I kept praying the entire time, hoping that my words were somehow fulfilling God's will. Only time will tell.
The story revolves around a London super cop, Nick Angel (Pegg), who's so good that he's making the rest of the department look bad. He's shipped off to the crime-free village of Sandford where he is partnered with simpleton, yet overeager police officer, Danny Butterman, played wonderfully by Nick Frost. As a series of grisly accidents rocks the village, Angel is convinced that Sandford is not what it seems.
The movie has some surprisingly violent acts, catapulting the film to an R rating, but the violence actually ends up heightening the emotion, thereby making the humor that much more effective. There's also enough adult language sprinkled in to validate the R rating, but it fits in line with the style of the film.
For the last half hour of this film my wife and I didn't stop laughing once. If you are a fan of any of the Lethal Weapon movies, or Bad Boys movies or Arnold S. action flicks, you will enjoy this film. I'm surprised this film didn't do better at the box office because it is one of the most original and funny movies released in years. Hot Fuzz is great fun.
INT. OFFICE - DAY
THOMAS and ALISON, both young office workers,
sit in their cubes working quietly.
After a moment, Alison pulls at her collar.
ALISON
Is it hot in here?
THOMAS
I didn't notice.
ALISON
You don't feel that? It's
stifling!
THOMAS
No... oh, the air conditioner just
went off.
ALISON
I'm burning up! This is a
catastrophe.
THOMAS
The air will come back on. It's
cyclical. It gets a little cooler
then it gets a little warmer...
it's been happening since we've
been in this building.
ALISON
(accusingly)
What did you do!
THOMAS
What?
ALISON
What did you do to cause this?
THOMAS
Ah... nothing?
ALISON
That's so like you, to act like you
don't have any effect on the rest
of us.
THOMAS
I didn't say that. The air went
off. That's all. It will come
back on.
ALISON
How do you know that!?! You don't
know that! How could you possibly
know that!
THOMAS
Well, I've worked here longer than
you have and-
ALISON
I'm not asking for your opinion,
facts or conjectures. This
discussion is closed!
THOMAS
It is?
ALISON
Yes!
THOMAS
How can you say that when you don't
have all of the information?
ALISON
Like what?
THOMAS
Well, there's a lot of people in
this building. And plants and even
some fish, I think. Plus, the air
conditioner is a very complex
instrument. There are a lot of
variables in play. Just because
it's one degree hotter in here
doesn't mean it's not normal.
ALISON
Then you agree, it is hotter in
here! We're all doomed! We have
to mobilize. Get people to change
what they do to reduce the
temperature!
THOMAS
(keeps working)
We're not really doing much of
anything, comparatively speaking.
ALISON
Stop your typing!
THOMAS
What?
ALISON
Stop your typing!!!!
THOMAS
I can't. If I stop typing then my
project will fail.
ALISON
Then slow it down.
THOMAS
You want me to be less efficient?
ALISON
For the sake of mankind!
THOMAS
Look, last week there was a temp in
here that said we were all going to
die due to cubical cooling. Some
other guy complained that his cube
wasn't big enough and we were over
crowded. Now you're telling me the
office is going to self-destruct
because the air conditioner went
off?
ALISON
What's your point?
THOMAS
Well, I've worked here the entire
time and nothing's happened.
ALISON
That's because you weren't paying
attention.
THOMAS
Do you really think that the speed
of my typing is the critical
component as to why the temperature
rose by one degree?
ALISON
Absolutely! Everyone knows this.
She pulls a JANITOR into the cube.
ALISON (CONT'D)
(referring to Janitor)
The smartest people in this
building agree with me.
She shoves the Janitor out.
ALISON (CONT'D)
(to Thomas)
You're so callous. So uncaring.
How could you just sit there and do
your job and ignore the impending
catastrophe?
THOMAS
(stops, turns to her)
Prove to me the air conditioner
won't come back on and I'll believe
you.
Alison sits there stumped. Thomas returns to
typing. Alison looks to her cup of ice water.
ALISON
(points to cup)
The ice in my cup is melting!
THOMAS
So?
ALISON
(frantic)
It's going to overflow and spill
onto my desk! My work area will be
reduced by fifty percent! My
efficiency in the office will be
reduced, I'll lose my job, I won't
be able to buy food and I'LL DIE!
(flailing)
WE'RE ALL GOING TO DIE!
She collapses onto the floor. Thomas' fingers
continue to POUND the keyboard.
Alison peeks one eye open and looks up to the
ceiling.
ALISON
Do you see that? The ceiling is
falling!
Thomas looks up to the ceiling air vent.
THOMAS
It's the air. It turned back on.
The film The Nortorious Bettie Page follows the development and eventual moral salvation of Bettie Page, played wonderfully by the under-appreciated Gretchen Mol. Coming from a rural and abusive home, her life is greatly influenced by her faith. As she matures and leaves the strict confines of her family, she explores new horizons in New York as an actress.
The Notorious Bettie Page is film that not only explores the growth of underground bondage photography of the 1950's through the iconic Bettie Page, but it is more about Page's moral journey of sacrifice, mistakes and a longing for moral happiness. At the end we find Bettie having shunned her previous life and, instead, working as a street preacher, trying to save souls.
And here's another skit I wrote during lunch, this one on the Separation of Church and State myth. These are fun to write.
INT. RESTAURANT - DAY
CHEF DAVID hands out his guidelines to his wait
staff, including DANTE and JANE.
CHEF DAVID
Okay, so here are our new
guidelines. Look it over and let
me know if you have any questions.
DANTE
(scanning the guidelines)
So our two main condiments are
catsup and mustard?
CHEF DAVID
Yes. They're the cornerstone of
our menu. It's what makes our
restaurant so popular and so
strong.
DANTE
You say right here that people can
freely use mustard, but that we,
the wait staff, should not
establish the use of mustard as the
only condiment.
CHEF DAVID
Correct.
DANTE
Sounds simple.
CHEF DAVID
It is.
DANTE
But, sir, I had a customer in our
restaurant yesterday request we put
mustard on their hamburger.
CHEF DAVID
Okay.
DANTE
Well, you've stated here that there
is a clear separation between
catsup and mustard.
CHEF DAVID
No I didn't.
DANTE
Yes you did. By putting mustard on
our customer's hamburger, we are,
by default, establishing the use of
mustard, which you have expressly
stated we should not do.
CHEF DAVID
No we're not. Catsup and mustard
can coexist. If a customer wants
mustard on their hamburger in this
restaurant, it doesn't mean we are
establishing mustard as the only
condiment, we are merely allowing
our customers to freely exercise
their use of mustard on restaurant
property. There's a difference.
DANTE
No there isn't.
CHEF DAVID
Yes, there is. I wrote the
guidelines. I know what I
intended.
DANTE
No you don't.
CHEF DAVID
Yes, I do.
Another waiter, JANE, chimes in.
JANE
Excuse me, sir, as the
representative of American
Condiment Liberties Union I have to
agree with Dante. You clearly
intended that catsup and mustard
should never be combined.
CHEF DAVID
No I did not.
JANE
Yes you did. Your guidelines are
open to interpretation and the way
we interpret it is that there is a
clear separation between catsup and
mustard. Just ask the media.
They'll agree with us.
CHEF DAVID
No where in my guidelines are the
words "separation of catsup and
mustard" ever stated.
DANTE
But that's what you meant.
CHEF DAVID
No I didn't.
JANE
Yes you did.
CHEF DAVID
Look, I came from a restaurant
where the chef mandated mustard and
mustard only. So, what I'm saying
here is that if people want to use
mustard, they can. But, we won't
establish it as the only condiment.
JANE
Exactly. No mustard and catsup
together.
CHEF DAVID
That's not what I said.
DANTE
Yes it is.
CHEF DAVID
No it isn't.
JANE
We are okay with people requesting
relish, onions and even pickles.
But mustard is out. We will never
recognize the use of mustard.
CHEF DAVID
What?
DANTE
Agreed. If we allow customers to
use mustard on our food we are
establishing the use of mustard as
the only condiment and that would
offend the relish, onion and pickle
lovers.
CHEF DAVID
How would it do that?
JANE
And we must therefore never allow
mustard to be used or even
recognized by this restaurant.
CHEF DAVID
What?
JANE
If people want to use mustard in
the privacy of their own home,
that's okay, but any use of mustard
on restaurant property clearly
defies the mandated separation of
catsup and mustard and is therefore
prohibited. As a matter of fact,
if anyone even suggests using
mustard on restaurant property, we
should take them to court!
DANTE
Here here!
CHEF DAVID
Wait a minute! You've completely
misunderstood what I wrote.
Mustard is a good condiment. I was
raised in a family of mustard
lovers. This restaurant was
founded on the use of mustard. How
can you say that it should be
excluded from the restaurant?
JANE
Because that's what our lawyers say
you meant.
CHEF DAVID
But I only want to allow other
condiments to be recognized in our
restaurant, not to exclude mustard
from the restaurant as a whole.
Dante returns with a box of mustard packets.
DANTE
I'm getting these off restaurant
grounds. And any public
recognition of mustard must be
removed immediately.
JANE
Agreed.
Chef David hands Jane his hat.
JANE (CONT'D)
Where are you going?
CHEF DAVID
I don't know. But this isn't the
restaurant I founded. I don't even
recognize it anymore.
FADE OUT.
Once Bogart actually appears on film the story falls into a great number of clichés, convenient coincidences and the most consecutive series of accidental deaths all pointing to the same innocent convict... well, it's a little much to take.
Shot beautifully by director Bennett Miller and cinematographer Adam Kimmel, the story follows Capote, played so effortlessly and convincingly by Philip Seymour Hoffman, from the time he reads about the murders in the New York Times through the next four years until the men are put to death. In a move that exemplifies Capote's commitement and ruthlessness to get the information he needs, he hires a lawyer to put the appeals motion in place, not because he believes the men are innocent, but to buy him more time to build trust with one of the murderers as to get his version of the events that night.
Other wonderful actors include Catherine Keeler, who plays a friend and Capote assistant Nelle Harper Lee, who also happened to write To Kill A Mockingbird, Chris Cooper as lead detective Alvin Dewey and Bruce Greenwood as fellow writer and Capote companion Jack Dunphy. The film does a wonderful job of weaving in the social life of writers in the 1950s, the vibrancy of New Yorks literary scene and the self-centered and often contradictory drives that propel Capote to write his most successful book.