Tuesday, August 21, 2007

Bill Gates Goes to College Video

I stumbled across this very funny video via another blog that pairs Bill Gates with Napoleon Dynamite for a 2005 conference. It's very funny and can be found at:


Bill Gates Goes to College

The Microsoft bigwig teamed up with Napoleon Dynamite in this spoof video from PDC 2005. The camera's a little shaky, but you get the idea.



Enjoy

Monday, August 20, 2007

High School Starts Tomorrow

My daughter enters high school tomorrow. She's nervous. My wife is a wreck. We're going out to dinner tonight as a calm-before-the-storm celebration.

I doubt my daughter gets a good nights sleep. I'm certain my wife won't. I'm not as worried as those two, but I'm not sure if I'll sleep well either... their nervousness and anxiety is making me nervous.

So, we'll see how it goes...

The Moment After (1999) and The Moment After 2 (2007)

In 1999, among the rampant pre-millennium apocalyptic end times, ChristianCinema.com released The Moment After.

In this original low-budget Christian flick, two FBI agents are directed to figure out why so many Christians in the world suddenly disappeared. The agents, played by two of the films producers, Kevin Downes and David A.R. White, investigate the Rapture, each ending up on opposite sides of the faith scale. White gets arrested for harboring a Christian leader wanted by the new global enforcement agency and is thrown in prison.

The Moment After 2 continues the story eight years later, as White, now on death row, escapes while being transported to the location of his eventual death. He hides in the desert and comes across a band of other Christians-in-hiding. Downes, who quit the FBI years earlier, is forced back into service by the global police to hunt down White and bring him back in custody.

The production value and quality of both films is very good, but especially so with the sequel. The relationship between Downes and White plays very real and the positive Christian messages are seamlessly interwoven into the storyline, never feeling preachy. Both films are directed by Wes Llewellyn, who manages the story and the action sequences quite nicely.

What I like about these films most of all is that they tackle the massive scope of the Rapture successfully within their budgetary limitations. Instead of trying to capture the immensity of the End Times on a minuscule budget like the Omega Code films or focusing on blow-by-blow fundamentalist interpretation of Revelations, such as in the Left Behind trilogy, the film shrinks the scale of the story without losing the impact of the message. The end result are believable, satisfying and intriguing films.

Plus, both films affirm a personal belief of mine when it comes to low-budget films, in that it is more important to find the right actors than hire known actors. Films with actors such as Eric Roberts or Stephen Baldwin or Lorenzo Lamas are immediately assumed to be B-movies because of the celebrity baggage they bring with them. Relatively unknown, yet competent actors such as White and Downes are far more successful at relaying the story because they fit the role and can pull off the performances, but don't weigh down the film negatively with any audience-driven preconceived notions. Granted, it may be a little easier to get a movie sold overseas if Roberts or Baldwin are in them, but there's a price to pay in creditability if the actors are miscast, which often happens.

In any event, for fans of End Times story lines, The Moment After and The Moment After 2 are excellent Christian film fare.

Thursday, August 16, 2007

Disturbia (2007)

Disturbia is a rock solid suspense film that is both a homage to Hitchcock's Rear Window and Cameron Crowe's Say Anything... an odd combination to be sure, but it works to perfection. The story revolves around a teen named Kale (the excellent Shia LaBeouf) who, after an explosive opening to the film, ends up spiraling down a growingly dangerous teen delinquent path. On house arrest and forced to stay in his house for three months, Kale spends his hours looking out the windows, peering into the lives around him. He spots a new neighbor, the lovely Ashley (Sarah Roemer) on one side of his house and the menacing Mr. Turner (David Morse) on the other. With the help of his friend Ronnie (the hilarious Aaron Yoo) and the eventual assistance of Ashley, Kale comes to believe that Mr. Turner may actually be a serial killer.

LaBeouf is one of those rare, inventive, talented and natural actors that is believable in just about anything he does. He plays a variety of emotions, from new teen romance to the loss of a family member to suspicion to humor to fear... all without a single false note. The newcomer Roemer is spot on as the beautiful and flirtatious Ashley, who's both strong and troubled. Her interplay with LaBeouf is great Hollywood teen love at its best.

A special nod goes to Morse who is able to be both charming and scary at the same time. Since we, like Kale, are unsure of Mr. Turner's guilt or innocence, in every scene Morse has to achieve both potential guilt and innocence by his mannerisms and inflections, not giving away one way or another if he is indeed a bad person. You are both intimidated and empathetic with the man who simple likes his privacy.

Directed by D.J. Caruso, Disturbia is a very successful teen suspense thriller with strong, layered characters, real life teen angst and the unfortunate outcomes one might face when we interject ourselves into other peoples lives. Check it out. It's a good, fun flick.

Tuesday, August 14, 2007

Training for Salvation

At Mass Sunday our priest, Father Morris, gave a wonderful homily about priorities and salvation. He spoke of the Bible's take on material things and that, in and of themselves, material things mean nothing. But, if we put them above God, if we worry about them more than we worry about our salvation, our obedience to God, then material things can become a problem. Do we worry about our homes, our investments, our retirement? Do we worry about those things more than we worry about God and His plan for us?

His best analogy was that of Olympic athletes. He talked about how focused they are on winning a medal and how much they sacrifice to get there. They sacrifice their bodies, money, time with their friends, time with their families, but the end result is a Gold Medal and when asked, Gold Medal winners will always feel their years of toil and sacrifice were worth it.

We should treat our salvation in Jesus as Olympic athletes do their Gold Medals. What are we willing to sacrifice, to offer up for eternal salvation? Our bodies, our time with friends and family, our money?

It's made me think more about that. Made we think about how much worry I put into treasures on earth instead of treasures in heaven.

It made me think I need to change banks and start worrying about my heavenly deposits instead.

Sunday, August 12, 2007

The Importance of Feeling Important

At work I recently overheard a conversation about faith, or lack thereof. One person was an ex-Catholic who was very proud of their lack of faith. You could tell by the person's mannerisms, their certainty of spiritual uncertainty, the force in their voice. The other person in the conversation was a parent who's child was starting to ask questions about God. The parent is married to a spouse who's Catholic but the parent, in their own words, "is nothing" when it comes to faith.

As I listened to their conversation, getting more and more offended because of my own personal beliefs, I kept imploring the Holy Spirit to tell me what to say or what to do, but my emotions were getting the best of me, so the Holy Spirit had me say nothing. It was very frustrating.

Afterwards I thought about two things. The actor in me immediately started a self evaluation. What was it about their conversation that was getting me so mad? When they were dismissing Catholicism I felt as if they were dismissing a part of me. Plus, I was offended that they would have such a discussion in an open office without taking into consideration that others around them may have faith and even be Catholic.

The second thing I realized is that these two people reveled in their own importance. By dismissing organized religion, even though the ex-Catholic was baptized, received first communion, confirmation and was even an altar server, they were somehow elevating themselves above God. They bolstered their superiority about not needing organized religion and spouted some inaccurate comments about the Crusades.

I really wanted to say something, but instead felt called to simply pray for them. Their souls are at stake and they don't even know it.

The parent has a great and wonderful opportunity to enlighten their child about God and Jesus, yet is completely ill equipped to do so and has no real interest in trying. I wonder, on our judgment day, how we will be held accountable for our children's faith. And the ex-Catholic has fashioned strong legs to support their belief in their own disbelief and proudly stands on those legs in divine defiance.

The saddest part is that these are two very nice people who have confused being nice with being holy. And, what is even sadder, is that I hear more and more of these conversations from people.

In the end I simply thank God for the gift of time.

When I look back at where I was 10 years ago in regards to my faith, I cannot believe what I felt was appropriate then compared to what I feel is acceptable now. I am so much more aware of my actions, my sins and my failings... not in some morbid sense of guilt, but in the constant focus for spiritual improvement.

I hope there is enough time in these co-worker's lives to find their faith.

When I see a world so blatantly and openly faithless I can only ask God to help our children. And, most of all, be with those who have lost their faith or their way. As Jesus said, He is the light of the world. If only more people would realized just what a darkened life they truly lead.

Friday, August 10, 2007

On the Waterfront (1954)

If acting styles were put into biblical proportions, it would be separated into two groups, BB and AB (Before Brando and After Brando). Marlon Brando was the leading actor in the new acting style that evolved in the 1950's called The Method. The Method acting focused on real world emotions and performances. It erased the stylized acting choices found in films such as Gone with the Wind and, instead asked the actor to pull from their own lives in order to create a real and subtle performance.

Brando was the king of The Method court. He lead the charge by creating such completely realistic performances... so much so that you don't know where he ends and his characters begin. Even in a film with such a strong cast that On the Waterfront has, a cast which includes Karl Malden, Eva Marie Saint, Lee J. Cobb and Rod Steiger, Brando's performance is by far the best

On the Waterfront, directed by method filmmaker Elia Kazan, revolves around Terry Malloy (Brando), a washed up boxer who's brother (Steiger) is second to the local mafia boss (Cobb) in charge of the dock workers union. Malloy, who is coddled and protected by Cobb starts down a dangerous path when he befriends the sister (Saint) of a man killed for squealing to the cops. He finds himself in even greater trouble when he starts listening to a local priest (Malden) who is trying to end the corruption on the docks.

It culminates with a mentally simple, but strong Malloy who tries to do the right thing and take on Cobb and his influence, at peril to his own life.

What I found very interesting this time around was the films blatant Christian themes. As a matter of fact, in today's world this could easily be considered a Christian film. The priest publicly chastises the mafia powers, calling upon Jesus' example of how we are to treat each other. The speech last for five minutes and is 100% pro-Christ. Unfortunately, it's probably one of the last films where a priest is shown in high regard.

In any event, for either its Christian themes or its ground breaking performances, On the Waterfront is a great film to watch for any generation.

Thursday, August 09, 2007

Happy 83rd Year on the Planet, Dad!

My father turns 83 today. Happy birthday, my father. My dad's greatest passion, other than golf, of course, is children. He has the rare talent, gift really, of being able to identify with children, to get down on their level and communicate with them. I am grateful that he has passed that along to me.

I love going home and playing with my children. I loved making "tea" with my daughter when she was four or rough-housing with my son. I've been Ken to my daughter's Barbie and I've been Darth Vader to my son's Luke Skywalker. And I have enjoyed every minute.

Thanks Dad, for sharing your adulthood with my childhood so that I may do the same with my kids.

Have a GREAT birthday, Pops.

Wednesday, August 08, 2007

Baseball Summer

About a week ago we got a call from a little league coach saying that there were some spots available for an 11-12 year old summer baseball camp. I reminded him Gabe was only 10, but he was sure Gabe was good enough to play. So, we got a discounted rate (it's a professional camp) and the team practices for eight weeks, then plays a tournament in Cocoa Beach during Labor Day weekend. Gabe said "We get to stay in a hotel and then play a baseball game? That's like the major leaguers!" He is very excited.

The company, called The Winning Inning, is a Christian baseball training group that has a lot of ex-major leaguers & minor leaguers as trainers and even the occasional Devil Ray will stop by from time to time.

So, Gabe's in seventh heaven. All of the players in this camp he either played with or played against during the recent all-star tournament... even some of those dreaded Countryside players are now his teammates. He's learning a lot, is one of the better pitchers and just loves playing baseball.

I'll share pics of the tournament when it happens.

The Russians Are Coming! The Russians Are Coming! (1966)

In the great spirit of one of my all time favorite films, It's a Mad, Mad, Mad, Mad World, the ensemble chaotic comedy The Russians Are Coming! The Russians Are Coming! is a madcap Cold War comedy about a Russian sub that gets stuck off the coast of Gloucester.

When the crew sneaks onto the island to simply borrow a boat, everything goes very badly. Written by Carl Reiner, directed by Norman Jewison and containing many of the Mad, Mad cast, Russians is a fun and satisfying comedy that introduced Alan Arkin to American film fans.

Arkin, as Lt. Rozanov, leads a group of Russians through the island and stumble across Carl Reiner, Eva Marie Saint and their family as the prepare to end their summer vacation. Reiner is prodded by the Russians for assistance while Reiner's son, played wonderfully by a loud Sheldon Collins, keeps demanding the death of the Russians and the arrest of his father for treason.

Along the line Brian Keith, playing the small town sheriff and Jonathan Winters, playing his deputy, try to keep the rumors and the town militia under control as they follow every hair-brained idea of where the Russians are and what they are doing.

Though not in the same class as the immortal Mad, Mad, World, Russians still is a nice piece of mid-1960s clean comedy and is worthy of a revisit on occasion.

Tuesday, August 07, 2007

The Bourne Ultimatum (2007)

The Bourne Ultimatum, the third of the Bourne films fits perfectly into the series, full of great stunts, non-stop action and plenty of plot twists. Matt Damon, probably one of the best actors working today and one that will most likely go down as one of the best American actors ever, revisits his Jason Bourne character. In The Bourne Identity Jason Bourne must uncover who he is, in The Bourne Supremacy, Bourne seeks revenge on those who want him dead and in The Bourne Ultimatum, Bourne seeks to find those responsible for his life as an assassin.

At the very end of the Supremacy, the second film, Bourne gets a tip from a high level inside source about his true identity. What's really interesting and inventive about Ultimatum is that this film actually starts out six weeks prior to that and that moment where Bourne is informed by the high level source doesn't happen until two-thirds through Ultimatum. Very cool stuff. And, beyond that, the meaning of the message is completely different than you thought it was at the end of Supremacy.

Directed with frenetic hand-held style of Paul Greengrass, Ultimatum is a great piece of the Bourne puzzle, yet falls into a close second to Supremacy, which is catapulted to the top spot because it has one of the best car chases ever put on film.

It's been said that the Bourne films are a modern day Bond replacement and that very well may be true. Gone are the cheeky comments, the "evil man wants to take over the world" scenarios in Bond flicks and are replaced by personal vendettas and unflinching amoralism of a trained killer. Daniel Craig, as the new Bond, has injected new life into that franchise because of his macho charm and a reimaging of the Bond films, but right now, Damon and his Bourne trilogy have the upper hand.

In the end, if Bourne and Bond battle it out at the box office, I think we'll all be winners. As for The Bourne Ultimatum, it's another butt-kicking good time at the theater.

Friday, August 03, 2007

Simpsonize Yourself

If you go to Simpsonizeme.com you can upload a 640 x 480 pixel picture of yourself and it will analyze it and create a Simpsonized version of yourself you can then further manipulate with hair changes, scars, glasses, clothes, etc.

Check it out. BTW - I pasted my Simpsonized version of myself on my old pic and filled in the missing pieces in the background to make it match.


Before and After

Thursday, August 02, 2007

Forgiven First Draft Completed

The first draft of the edgy short Christian film called Forgiven has been completed. The 30 page (which equals 30 minutes) script was finally completed today. I didn't want the film to exceed 30 minutes, so I was happy to wrap it up in 30 pages.

I'll be honest, the writing of this short has been exceedingly challenging. The story went through numerous starts and stops, rewrites, re-imagining, re-creation, etc. But, the end result is very close to my original intent. I kept praying the entire time, hoping that my words were somehow fulfilling God's will. Only time will tell.

I'm hoping this film will not only set the tone for future Sonlight Pictures projects, but also could be used to fund our four feature films we have planned, two of which have been completely written and another two which are in development.

There will be a couple of small rewrites in this scripts future... all scripts are rewritten, tightened, made better. So, now I am going to start the process of formulating a production team, find a location and determine casting goals.

Hot Fuzz (2007)

Hot Fuzz is a hilarious movie. For anyone who grew up in the 80's watching action movies such as Lethal Weapon, Bad Boys or Point Break, you'll love this film. Hot Fuzz is directed by Edgar Wright and co-written by Wright and lead actor Simon Pegg, the same team that brought the humorous take on the zombie flick called Shaun of the Dead.

The story revolves around a London super cop, Nick Angel (Pegg), who's so good that he's making the rest of the department look bad. He's shipped off to the crime-free village of Sandford where he is partnered with simpleton, yet overeager police officer, Danny Butterman, played wonderfully by Nick Frost. As a series of grisly accidents rocks the village, Angel is convinced that Sandford is not what it seems.

What is amazing about this film is that it starts out as a complete parody of 80's action films and then ends up actually being an 80's action film. I haven't laughed this hard during a movie in a very long time. There is time after time that the film subtlety makes fun at ultra-macho action films, then a moment later pays homage to them at the same time. It takes shot at the cop buddy movies then becomes a cop buddy movie. It is a delicate, yet extremely satisfying combination.

When the simple Butterman finds out Angel's super career achievements he asks naive, yet very funny questions based on Butterman's only exposure to super cops... Hollywood action flicks. He asks "Have you ever shot a gun diving through the air?" "Have you ever shot two guns diving through the air?" "Have you ever shot your gun straight up in the air while screaming because you couldn't kill a criminal that ended up being someone you knew?" And Pegg's portrayal of Angel as a massively serious crime fighter only adds to the fun, layering in a fish-out-of-water element as Angel tries to fit into life in a small rural town.

The movie has some surprisingly violent acts, catapulting the film to an R rating, but the violence actually ends up heightening the emotion, thereby making the humor that much more effective. There's also enough adult language sprinkled in to validate the R rating, but it fits in line with the style of the film.

For the last half hour of this film my wife and I didn't stop laughing once. If you are a fan of any of the Lethal Weapon movies, or Bad Boys movies or Arnold S. action flicks, you will enjoy this film. I'm surprised this film didn't do better at the box office because it is one of the most original and funny movies released in years. Hot Fuzz is great fun.

Monday, July 30, 2007

Global Warming Skit

Okay, here's another one on global warming...

© 2007 Pete Bauer

***********
              INT. OFFICE - DAY

THOMAS and ALISON, both young office workers,
sit in their cubes working quietly.

After a moment, Alison pulls at her collar.

ALISON
Is it hot in here?

THOMAS
I didn't notice.

ALISON
You don't feel that? It's
stifling!

THOMAS
No... oh, the air conditioner just
went off.

ALISON
I'm burning up! This is a
catastrophe.

THOMAS
The air will come back on. It's
cyclical. It gets a little cooler
then it gets a little warmer...
it's been happening since we've
been in this building.

ALISON
(accusingly)
What did you do!

THOMAS
What?

ALISON
What did you do to cause this?

THOMAS
Ah... nothing?

ALISON
That's so like you, to act like you
don't have any effect on the rest
of us.

THOMAS
I didn't say that. The air went
off. That's all. It will come
back on.

ALISON
How do you know that!?! You don't
know that! How could you possibly
know that!

THOMAS
Well, I've worked here longer than
you have and-

ALISON
I'm not asking for your opinion,
facts or conjectures. This
discussion is closed!

THOMAS
It is?

ALISON
Yes!

THOMAS
How can you say that when you don't
have all of the information?

ALISON
Like what?

THOMAS
Well, there's a lot of people in
this building. And plants and even
some fish, I think. Plus, the air
conditioner is a very complex
instrument. There are a lot of
variables in play. Just because
it's one degree hotter in here
doesn't mean it's not normal.

ALISON
Then you agree, it is hotter in
here! We're all doomed! We have
to mobilize. Get people to change
what they do to reduce the
temperature!

THOMAS
(keeps working)
We're not really doing much of
anything, comparatively speaking.

ALISON
Stop your typing!

THOMAS
What?

ALISON
Stop your typing!!!!

THOMAS
I can't. If I stop typing then my
project will fail.

ALISON
Then slow it down.

THOMAS
You want me to be less efficient?

ALISON
For the sake of mankind!

THOMAS
Look, last week there was a temp in
here that said we were all going to
die due to cubical cooling. Some
other guy complained that his cube
wasn't big enough and we were over
crowded. Now you're telling me the
office is going to self-destruct
because the air conditioner went
off?

ALISON
What's your point?

THOMAS
Well, I've worked here the entire
time and nothing's happened.

ALISON
That's because you weren't paying
attention.

THOMAS
Do you really think that the speed
of my typing is the critical
component as to why the temperature
rose by one degree?

ALISON
Absolutely! Everyone knows this.

She pulls a JANITOR into the cube.

ALISON (CONT'D)
(referring to Janitor)
The smartest people in this
building agree with me.

She shoves the Janitor out.

ALISON (CONT'D)
(to Thomas)
You're so callous. So uncaring.
How could you just sit there and do
your job and ignore the impending
catastrophe?

THOMAS
(stops, turns to her)
Prove to me the air conditioner
won't come back on and I'll believe
you.

Alison sits there stumped. Thomas returns to
typing. Alison looks to her cup of ice water.

ALISON
(points to cup)
The ice in my cup is melting!

THOMAS
So?

ALISON
(frantic)
It's going to overflow and spill
onto my desk! My work area will be
reduced by fifty percent! My
efficiency in the office will be
reduced, I'll lose my job, I won't
be able to buy food and I'LL DIE!
(flailing)
WE'RE ALL GOING TO DIE!

She collapses onto the floor. Thomas' fingers
continue to POUND the keyboard.

Alison peeks one eye open and looks up to the
ceiling.

ALISON
Do you see that? The ceiling is
falling!

Thomas looks up to the ceiling air vent.

THOMAS
It's the air. It turned back on.




Saturday, July 28, 2007

The Notorious Bettie Page (2005)

Bettie Page has evolved into an iconic figure of 50's pin-ups and is probably the best known model from the beginnings of the specialized bondage niche photography. A lot of people have seen Bettie Page's face but few actually know who she was and to where this mysterious women has gone.

The film The Nortorious Bettie Page follows the development and eventual moral salvation of Bettie Page, played wonderfully by the under-appreciated Gretchen Mol. Coming from a rural and abusive home, her life is greatly influenced by her faith. As she matures and leaves the strict confines of her family, she explores new horizons in New York as an actress.

In the 1950's what was then called pornography (which is very tame by today's standards) was an underground and illegal endeavor. In order for connoisseurs of such material to acquire any, they formed photography clubs and hired models to pose. Through happenstance and a series of events, Bettie Page ended up being one of the most used and successful models of this underground movement. According to the film, Page's participation was constantly conflicted. Part of her personality was a very free spirit, but it battled with her strong faithful upbringing. She was able to continue working toward an acting career as a model for hire, but it never sat well with her.

At one point, in acting class, she gives a riveting performance of torment and suffering. The teacher, surprised, asked what she was drawing from. She said "I'm thinking about all of my sins that have offended Jesus."

The Notorious Bettie Page is film that not only explores the growth of underground bondage photography of the 1950's through the iconic Bettie Page, but it is more about Page's moral journey of sacrifice, mistakes and a longing for moral happiness. At the end we find Bettie having shunned her previous life and, instead, working as a street preacher, trying to save souls.

A special nod should go to Gretchen Mol for her performance as Page. Even though the film's pacing is uneven at times, Mol's performance is fearless. There are times when an actor feels naked in their performance because they are opening themselves up to uncomfortable levels. Mol's performance does this both figuratively and literally and her bravery at capturing such a free spirit is what truly carries the film.

The film, in many ways, is very Old Testament. It's full of sin and illicit behavior, but in the end, it's about a person's journey toward salvation and forgiveness.

Friday, July 27, 2007

Separation of Church & State Myth Skit

So, during lunch I created a quick little Theater of the Obvious logo...

And here's another skit I wrote during lunch, this one on the Separation of Church and State myth. These are fun to write.

© 2007 Pete Bauer

********


INT. RESTAURANT - DAY

CHEF DAVID hands out his guidelines to his wait
staff, including DANTE and JANE.

CHEF DAVID
Okay, so here are our new
guidelines. Look it over and let
me know if you have any questions.

DANTE
(scanning the guidelines)
So our two main condiments are
catsup and mustard?

CHEF DAVID
Yes. They're the cornerstone of
our menu. It's what makes our
restaurant so popular and so
strong.

DANTE
You say right here that people can
freely use mustard, but that we,
the wait staff, should not
establish the use of mustard as the
only condiment.

CHEF DAVID
Correct.

DANTE
Sounds simple.

CHEF DAVID
It is.

DANTE
But, sir, I had a customer in our
restaurant yesterday request we put
mustard on their hamburger.

CHEF DAVID
Okay.

DANTE
Well, you've stated here that there
is a clear separation between
catsup and mustard.

CHEF DAVID
No I didn't.

DANTE
Yes you did. By putting mustard on
our customer's hamburger, we are,
by default, establishing the use of
mustard, which you have expressly
stated we should not do.

CHEF DAVID
No we're not. Catsup and mustard
can coexist. If a customer wants
mustard on their hamburger in this
restaurant, it doesn't mean we are
establishing mustard as the only
condiment, we are merely allowing
our customers to freely exercise
their use of mustard on restaurant
property. There's a difference.

DANTE
No there isn't.

CHEF DAVID
Yes, there is. I wrote the
guidelines. I know what I
intended.

DANTE
No you don't.

CHEF DAVID
Yes, I do.

Another waiter, JANE, chimes in.

JANE
Excuse me, sir, as the
representative of American
Condiment Liberties Union I have to
agree with Dante. You clearly
intended that catsup and mustard
should never be combined.

CHEF DAVID
No I did not.

JANE
Yes you did. Your guidelines are
open to interpretation and the way
we interpret it is that there is a
clear separation between catsup and
mustard. Just ask the media.
They'll agree with us.

CHEF DAVID
No where in my guidelines are the
words "separation of catsup and
mustard" ever stated.

DANTE
But that's what you meant.

CHEF DAVID
No I didn't.

JANE
Yes you did.

CHEF DAVID
Look, I came from a restaurant
where the chef mandated mustard and
mustard only. So, what I'm saying
here is that if people want to use
mustard, they can. But, we won't
establish it as the only condiment.

JANE
Exactly. No mustard and catsup
together.

CHEF DAVID
That's not what I said.

DANTE
Yes it is.

CHEF DAVID
No it isn't.

JANE
We are okay with people requesting
relish, onions and even pickles.
But mustard is out. We will never
recognize the use of mustard.

CHEF DAVID
What?

DANTE
Agreed. If we allow customers to
use mustard on our food we are
establishing the use of mustard as
the only condiment and that would
offend the relish, onion and pickle
lovers.

CHEF DAVID
How would it do that?

JANE
And we must therefore never allow
mustard to be used or even
recognized by this restaurant.

CHEF DAVID
What?

JANE
If people want to use mustard in
the privacy of their own home,
that's okay, but any use of mustard
on restaurant property clearly
defies the mandated separation of
catsup and mustard and is therefore
prohibited. As a matter of fact,
if anyone even suggests using
mustard on restaurant property, we
should take them to court!

DANTE
Here here!

CHEF DAVID
Wait a minute! You've completely
misunderstood what I wrote.
Mustard is a good condiment. I was
raised in a family of mustard
lovers. This restaurant was
founded on the use of mustard. How
can you say that it should be
excluded from the restaurant?

JANE
Because that's what our lawyers say
you meant.

CHEF DAVID
But I only want to allow other
condiments to be recognized in our
restaurant, not to exclude mustard
from the restaurant as a whole.

Dante returns with a box of mustard packets.

DANTE
I'm getting these off restaurant
grounds. And any public
recognition of mustard must be
removed immediately.

JANE
Agreed.

Chef David hands Jane his hat.

JANE (CONT'D)
Where are you going?

CHEF DAVID
I don't know. But this isn't the
restaurant I founded. I don't even
recognize it anymore.

FADE OUT.



Dark Passage (1947)

Falling into the film noir genre, Dark Passage, starring the then newly married Humphrey Bogart and Lauren Bacall, revolves around a wrongly accused escaped convict who finds comfort and assistance in the beautiful Bacall while trying to clear his name. What is most interesting about this particular film is that the first half of it takes place almost entirely from the viewpoint of the convict (Bogart). You don't see his face until after he's had illegal facial surgery to alter his looks.

Once Bogart actually appears on film the story falls into a great number of clichés, convenient coincidences and the most consecutive series of accidental deaths all pointing to the same innocent convict... well, it's a little much to take.

For example, Bogart's character says he didn't kill his wife (the reason for his incarceration). He visits his friend, who ends up dead, Bogart's fingerprints on the murder weapon (a trumpet), but he didn't do it. He then confronts the real murderer behind all of the deaths (Agnes Moorehead) only to have her accidentally fall out of the window and to her death on the street below, again with all real evidence pointing to Bogart.

What a bad week!

Tack on a quite simplistic, happy ending and what started out as one of the most inventive film noir films in cinematic history ends up being a complete mess. Too bad.

Thursday, July 26, 2007

Capote (2005)

Truman Capote was a famous author in the 1950s who's career ultimately culminated in the publication of the non-fiction book In Cold Blood, about two men accused of killing a family of four in rural Kansas. The film Capote is about the lengths and convenient mis-truths Capote engaged in to reach his goal of getting inside the head of one of the killers. It is both a subtle and effective film.

Shot beautifully by director Bennett Miller and cinematographer Adam Kimmel, the story follows Capote, played so effortlessly and convincingly by Philip Seymour Hoffman, from the time he reads about the murders in the New York Times through the next four years until the men are put to death. In a move that exemplifies Capote's commitement and ruthlessness to get the information he needs, he hires a lawyer to put the appeals motion in place, not because he believes the men are innocent, but to buy him more time to build trust with one of the murderers as to get his version of the events that night.

Other wonderful actors include Catherine Keeler, who plays a friend and Capote assistant Nelle Harper Lee, who also happened to write To Kill A Mockingbird, Chris Cooper as lead detective Alvin Dewey and Bruce Greenwood as fellow writer and Capote companion Jack Dunphy. The film does a wonderful job of weaving in the social life of writers in the 1950s, the vibrancy of New Yorks literary scene and the self-centered and often contradictory drives that propel Capote to write his most successful book.

This is a wonderful, exceptional film without a false note. Nor does it use any Hollywood cliches. In a media that been around over 100 years, it is rare to find a truly unique film. Capote is one such film.

Wednesday, July 25, 2007

The Worst Fortune Ever

Carolyn, the receptionist in our building, got what I consider to be the worst fortune cookie fortune ever. It said...
"Your problem just got bigger.
Think. What have you done!"

So uplifting, isn't it? I have never seen a negative fortune before. Too funny.